Restaurant Ware: Warwick China Company, Wheeling, West Virginia

WarwickChina-1936sm

Warwick China Company enjoyed a long history – over sixty years producing decorative pieces, fine dinnerware and finally, vitrified china. According to their catalog ca. 1940s, they produced “Vitrified China for Hotels, Clubs, Restaurants, Institutions, Steamships, Railroads, and Hospitals.”  No doubt, their entry into china production for commercial accounts was one way in which the Warwick China Company hoped to keep the kilns firing and so many residents of Wheeling employed. After all, Wheeling was one of the great manufacturing centers in the nineteenth century. Sadly, this manufacturer closed in doors in 1951.

Warwick had produced some of the most beautiful china – highly decorated and complex pieces. They were one of the few American potteries to attempt the manufacture of flow blue. Their expertise was well known in the pottery world. Wheeling of course possessed all of the natural assets necessary to produce, market and ship wares. The chamber of commerce of Wheeling announced that Wheeling was at the crossroads for manufacturing and shipping. Most American pottery was manufactured in the Ohio Valley along the mighty Ohio River. And as a consequence, Wheeling certainly played an important part in the history of Ohio River Pottery.

Map from Chamber of Commerce Brochure
Map from Chamber of Commerce Brochure

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Ohio River Pottery: Russel Wright for Steubenville Pottery, American Modern

Ohio River Pottery: Russel Wright for Steubenville Pottery, American Modern

The dinnerware designed by Russel Wright is included in the rather broad [and vague] category, Mid Century Modern.  Russel Wright designed the new line of American Modern Dinnerware in the 1930s. His designs were, in part, a reaction to the formality of the late Victorian dinner table. Many courses served with service changes that required “help” in the kitchen. A way of living,  that was…

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Ohio River Pottery: Russel Wright for Steubenville Pottery, American Modern

The dinnerware designed by Russel Wright is included in the rather broad [and vague] category, Mid Century Modern.  Russel Wright designed the new line of American Modern Dinnerware in the 1930s. His designs were, in part, a reaction to the formality of the late Victorian dinner table. Many courses served with service changes that required “help” in the kitchen. A way of living,  that was certainly at odds in the 1930s when many could no longer afford imported fancy serve ware or a household staff to serve. His stated intent was to bring design to everyone – American Modern would become the best selling dinnerware in American history.

His design took another turn; the post modernist turn. He looked to the form and function of each piece, first, and then applied glazes that reflected the natural world. You might even say, he used organic shapes and colors that soothed a generation in an era of unsettling news –  economic downturns, political unease and total war on a global scale. As much as his design fascinates, his later avocation to restore land that included abandoned quarries near the Hudson River inspires me. I plan to visit . .

The first piece of Russel Wright that I found was in a box in an abandoned trailer. Although I didn’t know who made the piece, I was captivated by the color and shape. I soon discovered the pitcher was manufactured by Iroquois China and designed by Russel Wright. The pitcher is definitive of Wright’s design – curves that do not end. There are no hard edges. Truly wonderful to hold and behold.  And the color  . . .  drawn from the forest at sunset.

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Inspiration: First Comes Love

Inspiration: First Comes Love

Jan van Eyck, The Arnolfini Portrait

Songs and stores from childhood are simple which is why we are able to learn them quickly and recall them years later. Like this one: Jack and Jill sitting in a tree, K-I-S-S-I-N-G First comes love … then comes marriage … then comes Jack  with the baby carriage. Boys and girls chant this rhyme at the first whisper of romance particularly in primary school.  In fourth grade, I received a…

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Inspiration: First Comes Love

Songs and stores from childhood are simple which is why we are able to learn them quickly and recall them years later. Like this one:

Jack and Jill sitting in a tree,

K-I-S-S-I-N-G

First comes love . . . then comes marriage . . . then comes Jack  with the baby carriage.

Boys and girls chant this rhyme at the first whisper of romance particularly in primary school.  In fourth grade, I received a locket on Valentine’s Day. After that day, he would not speak nor look at me.  He was tormented by our classmates who sang the song relentlessly on the playground.

K-I-S-S-I-N-G is not just a childish taunt; the song represents the socially accepted order of love and marriage. Breaking social rules and crossing boundaries is not easy even if we think that we are modern. The Jan van Eyck portrait of marriage still raises eyebrows; the pregnancy of the bride is unexpected in a Renaissance painting perhaps. But then as now, life is not always orderly nor simple. Marriage does not inevitably follow love;  marriage does not always last a lifetime and sometimes, the baby carriage remains empty.

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Vintage Ephemera: Reading Both Sides of a Postcard

Vintage Ephemera: Reading Both Sides of a Postcard

Leap Year Marriage

Recently, I came across two postcards that were very very funny. Not so much because of the humor of the printed postcard but rather, because the written message was the punch line.   Don’t you think its time to marry?   This postcard was printed in 1908, a leap year. The woman with the gun reflects the common stereotype that  women who asked men to marry them were desperate, aggressive, and…

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